SHANKABOOT EPISODE 11

Its promoters are hoping that this big event will allow their Web drama to compete with the Turkish and Latin American televised series that are popular in the region. Consequently, what is to be feared is a loss of values in terms of narrative innovation and editorial input, as is the case with digital storytelling when produced by brands whose primary objective is to serve their own interests — unless they are not the originators of the creative process, but associate their image with the transmedia experience proposed to the public. Subscribe to the newsletter. This organisation uses the media to inform, educate, motivate and entertain the audience in more than 40 countries in the Middle East, Asia, Africa and Europe. The page no longer exists or did not exist at all. Being a Web series, Shankaboot was freed from the usual limitations applied to TV programs but had to conform to the formatting needs of the Internet. These characters and many others, whose roles are played by professionals and amateurs alike, find themselves caught up in adventures blending comedy and tragedy, reflecting the daily life of the Lebanese capital with all of its contradictions:

These have been dynamically edited with a realistic screenplay and music composed by various young Lebanese artists like Rayess Bek , Mashrou3 Leila , Zeid Hamdane , and Tania Saleh. Accordingly, Shankaboot forms part of the social network movement like Facebook, Twitter, YouTube, etc. Views Read Edit View history. The production of the first season of Shankaboot took place in Beirut in December, , largely in the area of Burj-Hammoud, a densely populated town on the Eastern borders of Beirut. The debate on women and the adherence to particular faiths, addressed by Web users on the Shankaboot Facebook page, reveals the existence of many stereotypes, and the consequent urgency of promoting respect for religious and cultural diversity and creating conditions conducive to greater dialogue. It has more than 10 years experience in supporting independent media including television series, radio programmes and training in journalism. Shankaboot was an interactive web-based video series filmed in and around Beirut , Lebanon. Shankaboot is the first Web drama project that it has financed.

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Fiction — in competition with high quality multimedia productions from the UK, the Netherlands and Brazil. In season two, which is being edited now, the series discusses topics that are shankabkot taboo in the Arab world, like corruption, drugs or prostitution. Nevertheless, it is often circumvented, as was the case in the recent uprisings in the region, based partly on the use of social networks, mainly Facebook and Twitter.

A veritable first in the Arab world, Shankaboot is an interactive series aired only on the Web.

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Accordingly, Shankaboot forms part of the social network movement like Facebook, Twitter, YouTube, etc. Web drama development and features Shankaboot forms part of the Web drama concept that has been developing for more than a decade, particularly in the USA and the UK.

Lebanon’s online hit Shankaboot wins Digital Emmy Award – The National

These characters and many others, whose roles are played by professionals and amateurs alike, find themselves caught up in adventures blending comedy and tragedy, reflecting the shxnkaboot life of the Lebanese capital with all of its contradictions: The show’s creators cast actors with little to no prior acting elisode for a naturalistic acting style. One thing is sure: By using this site, you agree to the Terms of Use episoed Privacy Policy. The audience imagines the story and appreciates being both a witness to the characters and the events described as well as being an actor, unlike traditional theatre or film.

Please check the address or use the links below to access the requested content. Shankaboot is an interactive video series on the Web or a Web series filmed in Beirut, the Lebanese capital.

Shankaboot, or the Unprecedented Success of a Web drama in the Arab World

However, episoee movement is only just beginning, and we will have to prove that there is potential for the long-term survival of the local transmedia productions and new storytelling genres up against the traditional mentality of the entertainment and media industry. Despite the technical challenges, the Web has many advantages, say its makers.

Photo taken during a shoot. Shankaboot was an interactive web-based video series filmed in and around BeirutLebanon. The page no longer exists or did not exist at all. Contact the editorial staff. Some Internet surfers already have to wait more than half an hour to download one episode. Web seriesdramacomedy. Shankaboot, a dynamic Web series Made in Beirut!

Being a Web series, Shankaboot was freed from the usual limitations applied to TV programs but had to conform to the formatting needs of the Internet. Consequently, what is to be feared is a loss of values in terms of narrative innovation and editorial input, as is the case with digital storytelling when produced by brands whose primary objective is to serve their own interests — unless they are not the originators of the creative process, but associate their image with the transmedia experience proposed to the public.

The debate on women and the adherence to particular faiths, addressed by Web users on the Shankaboot Facebook page, reveals the existence of many stereotypes, and the consequent urgency of promoting respect for religious and cultural diversity and creating conditions conducive to greater dialogue. Press Media in the Middle East: Its promoters are hoping that this big event will allow their Web drama to compete with the Turkish and Latin American televised series that are popular in the region.

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At the Digital Emmysit was awarded the top digital fiction prize in the category Digital Program: The dematerialization of information, normally thought to Most popular articles Music K-pop: The stories of several other characters revolve around him, including those of Roueida, a young woman with whom he falls in love, and Chadi, an enigmatic character who is somehow responsible for allowing Sleimane to work.

This platform enabled Shankaboot viewers to participate in creating their own stories through various media and visual means.

Shankaboot, the Arab world’s first Web video fiction series

Writing reports no ethical problem to be brought to the attention of users on this article. This page is not available.

It should noted that the principle of interactivity was also recently used in an online cartoon, along the lines of Sarabthe first Arabic cartoon production whose hero inhabits a fantastic imaginary world and has the course of his life decided by the Web viewers. While the shortcomings of the network will be dealt with imminently, in the meantime, the Lebanese Web has become a primary means for political, economic and media players, and particularly young Lebanese and Arabs, to promote their individual institutions and initiatives shnakaboot achieve their objectives in terms of democratisation, social justice and the respect for fundamental freedoms.

Shankaboot, the Arab world’s first Web video fiction series

Digital interactive storytelling commonly encourages the listener or user to become a joint creator via amateur contribution to enrich the narrative universe, beyond simply pasting on comments and photos. This includes broadcasting episodes on several platforms, such as YouTube and across the blogosphere, anti-hacking techniques, and adapting the content of workshops for young people to the standards of the countries concerned.

The fourth and fifth seasons were released in The episodde of K-pop is today felt beyond the borders of its Moreover, one of the messages carried by the Shankaboot project is the importance of information and communication technologies in constructing a climate for dialogue and building bridges for understanding.