Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet! Most of the time I couldn’t get both of my hands on either side of the camera, because the rig was too big. This movie has that authentic feel of Henry: None of us had ever made a PoV [point-of-view] film before. It’s just too bad it couldn’t win me over in the end. The next day, Frank calls Anna, who tearfully tells him of Rita’s murder and of her recent breakup with Jason.

Already have an account? None of us had ever made a PoV [point-of-view] film before. Although it lacks in tension it makes up for it with the visuals and the psychological aspect of things. Jun 21, Full Review…. New Empress Magazine criticized the film, saying, “The digital cinematography by Maxime Alexandre uses an annoyingly stylized gloss over a lot of the potential scuzziness, leaving run-down downtown Los Angeles as industrial and neglected, but not forbidding, creating an atmosphere reminiscent of a video game. I could always see Elijah Wood playing a creepy guy like this, but his performance was a little too much. So I was there the whole time, dancing around behind the camera, leaning forward to put my hand in the frame.

So there’d be times when I’d be on one side with my right hand, and then my double would be on the left side with his left hand, so we’d have to work together a lot, like moving an object from one hand to another.

More Top Movies Trailers. Start your mvoie trial. Watch This Sick Filth! Post Share on Facebook. Use the HTML below. Overall, Maniac is a well-made, artistic take on Lustig’s guerrilla-gore flick that manages to give the viewer the requisite blood and brutality while adding some much-needed psychological underpinning to the characters and their motivations. For the most part Khalfoun and cinematographer Maxime Alexandre pull it off, although the technique more than once tips over from inventively arty to film-school-grad pretentious.

By forcing us to see through the eyes of a man who brutally murders women, the issues of voyeurism and misogyny rear their ugly heads before you’ve even settled in It’s uncomfortable and queasy stuff, but it occasionally achieves a kind of weird beauty.


A depraved, disturbing, and uncompromising slasher that boasts amazing technical craftsmanship, forcing you to follow the kind of character you fear your sister or daughter would meet. Mannequin on Wire, Anyone?

Maniac () – IMDb

The Awakening Prey Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet! Anna’s neighbor, Mivie, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver, breaking down Anna’s bathroom door, Frank puts her into a choke hold and knocks her unconscious. Share this Rating Title: That version used its low guerilla-style filming to add to the subject matter’s depravity.

He also scalps all the bodies and uses them for his mannequins. A red band trailer was released May 25, [18] and the film was screened at the Cannes Film Festival the following day.

In the end, though, something was just missing. Frank Zito is a disturbed young man who has taken over his family’s mannequin restoration business after the recent death of his mother. Wood told another viewer, however, that they did use a body double ‘s hands in some scenes: Nov 1, Rating: This unsavoury but powerful trick is contrasted by the decision to switch out the grimy night-time world of Eighties New York for the neon landscape of Los Angeles, complete with a superb synth-heavy soundtrack that makes the film feel more like Nicolas Winding Refn’s Drive than anything from the gloomy Platinum Dunes remake stable or the winking throwbacks of the Grindhouse movies.

With a voice that mixes breathy, genuinely unsettling obsession with a childlike honesty, Wood’s interpretation of Frank looks to be a new creature entirely. Films classed as ‘rotten’ on rotten tomatoes that I gave a 7 or above. The movie was disturbing and gross, which works with some movies and doesn’t work with others.

Elijah Wood cast in Alexandre Ajas Maniac remake

As their friendship develops and Frank’s obsession escalates, it becomes clear that she has unleashed a long-repressed compulsion to stalk and kill. From Wikipedia, mivie free encyclopedia. Do the Oscars Need a Host? This “proved to be challenging on both a narrative and technical level for the filmmakers and cast. It just feels so real life and the camera views from Frank’s point of view make it feel like the viewer is the maniac. Edit Storyline Just when the streets seemed safe, a serial killer with a fetish for scalps is back and on the hunt.


Trivia Omvie don’t see Frank’s face until 12 minutes into the film.

Therein lies the horror. A reviewer for SciFiNow praised the film’s “fresh and challenging approach” and said, “Khalfoun’s version is arguably a more troubling piece of work than its predecessor. And if you’re trying to do that with two different hands, it’s pretty challenging to make that look pretty natural.

Most of the time I couldn’t get both of my hands on either side of the camera, because the rig was too big. The film poster was designed by the award-winning Sam Ashby. Frank falls in love with her, and starts taking medication to control his violent urges. Leave it to the French to conclude that a remake of a quintessentially American and steadfastly ’70s New York fleapit horror flick is not only possible but necessary.

Maniac is gripping from beginning to end and more intellectual than your average slasher flick. It was a totally fascinating way to work. Frodo Baggins as a psycho-killer? Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin. It is a remake of the film of the same nameand follows the violent exploits of a brutal serial killer. Full Cast and Crew. I went out for a walk after watching this movie, and I still felt like I was looking through the eyes of a psychopath.

What’s on Norman’s Watchlist? Wood communicates Frank’s mental illness by muttering to himself and carrying on conversations with his mannequins — grunting like a rabid animal as he stalks his prey — while Arnezeder makes for a compelling, sympathetic ‘ final girl ‘ who challenges Wood’s maniac in unconventional ways.

Unsourced material may be challenged and removed. Maxime was effectively the character as well as me, and the rest of Frank had to be created locally through his inner monologue, which I recorded on an audio stage afterwards